Diferentes formas de jugar con el ruido Volumen 7

PILGRIM TALK PT[18] noish & xedh rlhaaa to

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PT18 http://www.pilgrimtalk.com/PT18.html
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Noish & Xedh – rlhaaa to c41
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A.  coyote mp3
B.  psy htgu mp3
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70 copies – silkscreened covers by NH


Released February 2012
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sound compilation ursonatefanzine nº 001

:::::::::::::::::DOWNLOAD ::::::::::500mb:::::20 audio tracks:::::



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01::::::::Happy Birthday:::::::::Sergio Luque:::::::http://www.sergioluque.com/

02::::::::urs:::::::::::::::::::::::::::::scmute::::::::::::::::http://www.tecnonucleo.org/

03::::::::nxUrsonate04::::::::Miquel Parera:::::::: http://musicnumbers.wordpress.com/

04:::::New Atlantic Ursonate::::::Ruben Patiño:::::::www.patooo.net

05::::Sin título para Ursonate:::::::Oier I.A.::::::::::::::::::::::::::::::::::::::

06:::::::::::argiope:::::::::::::::::miguel.a.garcia:::::::::::http://www.xedh.org/

07:::strips of light through glass:::Daniel del Rio::::::::www.cimaural.net/danieldelrio

08:::Nosce te ipsum II:::::::::::Carlos Suarez::::::::::www.myspace.com/carlossurez

09:::::::untitled#247:::::::::::::Francisco López::::::::http://www.franciscolopez.net/

10::::::::doze56::::::::::::::::::::::::::Coeval:::::::::::::::::::::::::::::::::::::::::::::

11::::::::Silencio urz:::::::::::::::::Pablo Reche::::::http://www.myspace.com/pabloreche

12:::::ursonate BUG:::::::::::::::::Pangea::::::::http://pangea-juanantonionieto.blogspot.com/

13::::::::noisedelic 1:::::::::::Luis Marte::::::::::http://www.myspace.com/luismartefugadiscos

14::3 Cunas Violadas:::::Christian Galarreta:::::www.myspace.com/christiangalarreta

15::::::::San Vito::::::::::::::::::Ponzoña:::::::::::::http://3epkanomusic.blogspot.com/

16:::::::::::Umbral::::::::::::::::::Miasma::::::::::::::http://ruidohorrible.blogspot.com/

17::::Lxs Hijxs del Páramo:::::C-utter:::::::::::::http://www.entredosinfiernos.blogspot.com

18:::::word trade zombi:::::::::::::Kakofunk::::::::::::::::::::::::::::::::::::

19:::Señales_Espurias_del_Eter_Poluto:::Durán_Vázquez::::http://cronicaelectronica.org/?p=duranvazquez

20:::Beautiful Noise (Silence Trope Version):::Neil Diamond/Juan Gil:::::::::::http://www.unruidosecreto.net/

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                                           ursonatefanzine
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Este nuevo número del fanzine lo acompañamos de nuestra primera compilación sonora. La idea de partida era abarcar algunas de las diferentes prácticas y formas de entender la experimentación con el sonido. Incluimos cosas que van desde las vertientes más relacionadas con el “field recordings” y sus procesados a trabajos más relacionados con la numerología sónica y las matemágicas (generativa, algorítmica, basada en probabilidad, ect..), tambien incluimos improvisación, drone-analógico abrasivo, livecoding y algunas tracks inclasificables…

No teníamos la pretensión de hacer una compilación exhaustiva ni representativa, es decir no cubrimos todas las diferentes ópticas ni están todos los que nos hubieran gustado incluir, teníamos que guardar algunas joyas para próximas compilaciones… En cuanto a la organización temporal de las tracks, más que fijarnos en la importancia o reconocimiento de los autores (contamos con el placer de pode incluir al grande y cercano Francisco López) hemos intentado construir un hilo conductor atendiendo a la materia sonora, asociando las tracks a diferentes bloques e intentando que las transiciones de unos a otros no fueran demasiado abruptos. Agredecer aquí a todos colaboradores de la compilación su apoyo sonoro al fanzine..

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Review BigFork (noish + xedh) at The Sound Projector

Noish + Xedh
Big Fork
AMP-RECS AMP053 online release
aMor/discos CDR
(2010)

Spanish electronica artiste Miguel A.
García impressed us last ish with his

“stern and severe” approach to
very minimal electronic noise on
Armiarmak. On Big Fork García
appears under his xedh guise
alongside fellow player noish, and
together they stew up four
gorgeous tracks of edgy, fizzy,

electronic mashed turnip paste, with
plenty of mesmerising power
leaking out through the wodges of
dense sparking-plugging mayhem.
They can sometimes drift into the
unchallenging droney-ambient
comfort stations, but I like them

best when their eruptions are
abrasive and slightly cruel,
suggesting a degree of friendly
sadism. The tracks are expressed as
complex streams of characters
which are too hard to type, but the
15-minute opener piece is a strong

one, containing four or five separate
ideas which seem to fold in and out
as if operated by a restless hand
tuning the shortwave radio dial. It
creates a vaguely daydreamy
sensation which is not unpleasant.

The second track is more full-on
and brutal, and for three minutes
one endures the goring of a
snorting electronic bull. The fourth
long track is again episodic, like the
first, but not quite as thrilling or

unpredictable. On the cover,
detourned versions of Disney
cartoon characters gamble, drink
and smoke cigars, but it's an image
of funny sleazy degradation that Big
Fork can't quite live up to.
ED PINSENT  

The Sound Projector  Music magazine and radio show

www.amp-recs.com
www.xedh.org
http://noconventions.mobi/noish

makeart::2010:::placard:::::::::>>>>>

make art is an international festival dedicated to free/libre arts
and technologies, distributed digital artworks and net art. The sixth
edition of make art focuses on works halfway between art and design,
collaborative, scalable and participative methods. The adventure
"in-between design" begins here, to be imagined in this creative
development, where everyone can participate and where artwork keeps on
evolving. Are these projects just curiosities or a real alternative to
the graphic conformism ruled by an industry that dictates its aesthetic
codes? Please come and join us to answer this question... http://makeart.goto10.org

Every year make art encloses itself in a "placard" (cupboard in French)
for one evening. It is a place dedicated to headphone listening only,
where unusual sound and visual experimentations occur, at the crossroads
of electronic, improvised and noise music. Come and join us in our
"placard", we will make some room for you. Tonight Benjamin Cadon will
reorchestrate and debug the famous blockbuster 2012 using micro-loops,
Marije Baalman will livecode from her own livecoding performance (!),
Noish~ vs Automata_v001 duo will grow an improvisation starting from
seven sound seeds, Alberto de Campo will combine analog and digital
meta-control to make a musical exploration on the fly, while
Segmentation Fault will patch and merge drones with deconstructed
rhythms.


Segmentation Fault is an investigation into computer assisted drones
and noise music. From granular synthesis to phase vocoder, Fibonacci
sequencers to generative algorithms, they invite you to witness an
intense construction and deconstruction of digital noise.

Segmentation Fault are musicians Xavi Manzanares, AKA daax!, from
Barcelona (ES) and Oscar Martin, AKA noish~ from Winterhur (CH). Their
collaboration debuted in the Spanish audionerd underground scene, and
since then they have performed at Hangar (ES), CSOA La Fibra (ES),
Pure Data Convention 2009 (BR), Linux audio conference 2008 (DE),
VAD08 (ES) and nitcasm08 (ES). http://noconventions.mobi/segmentationfault!/




noish_VS_automata

Noish Vs Automata_v001 is a software based live improvisation. Noish
used the software Pure Data to create a sonic automaton that relies on
seven small sound seeds. During the perfomance these seeds are transformed, mixed, processed through different iterations.

Oscar Martin, AKA Noish is a sound explorer interested in computer music,
the aesthetics of error and generative noise. He uses Pure Data to
develop his own environment dedicated to algorithmic compositions and
the deconstruction of sound field recordings. http://noconventions.mobi/noish/

[TN022] Noish >> trAnsCodE

netrelease at tecnoNucleo netlabel

:::::::::::trAnsCodE:::::::::::::


Is a new release containing two tracks originated by playing and experimenting with (bash) linux console and using one simple command:

cat /dev/mem >> /dev/dsp.

This action will dump a file (in this case a file like "/dev/mem" which is related to the computer memory) towards our sound device "/dev/dsp". It will start then interpreting this input data transforming them into sounds.A raw and 8-bit sound is generated containing its evolutions,dynamic changes, rhythms, silences, textures, etc. Sometimes it sounds like loading old fashioned spectrum cassette games.

At this time, I was reading an essay by Simon Yuill about the concepts and the relation between brutalism architecture and computing art science

(http://1010.co.uk/code_brut.pdf)

This article somehow influenced me at the very beginning of the creative process, but afterwards I decided to work in other directions with these raw materials: cooking them by using mutant mathematics generative processes, iterative and fractal functions applied to granular synthesis parameters. Simultaneously I was also programming all the software (patches) needed in PureData frameworks generating feedback between product and process.

At the end by mixing the sound blocks obtained from the transformations explained above, the two tracks of the release were born. (in the multitrack editor "Ardour" linux-audio software )

What fascinates me the most from digital media, is having the possibility to transform whatever you can decode into 0 and 1, and been able to dump it into different shapes and even languages (audio can be turned into image, DNA from a cauliflower into a sonora piece...) I find here a retroflavour of poetic absurd DADA; some kind of situationism deviation, or perhaps a shoot of machine desire connection....

oscar martin public domain 2010

noish + xedh >> big fork (amp053)

>>>>>>>>Freedownload

>>>>>>>>AMP-RECS netlabel
>>>>>>>XEDH
>>>>>>>>>>NOISH

improvisaciones grabadas entre madrid (track 4 festival ulterior)
Barcelona ( track 1) y Bilbao. Track2 y Track3 improvisaciones parciales surgidas a partir del proyecto "the improvisators network"

http://virb.com/impronet

covert art >> drawing by raul dominguez http://www.fotolog.com/raun

segmentationFault+Qeve_live@pdcon Sau Paulo 2009

live concert at pure data convention 09 sao paulo Brasil

live noise impovisation with DIY pure data audio/video tools

grabación integra







segmentationFault >> noish + daax! especial visual colaboration of Luka Qeve alias "potrillo de calabria"

http://nocomventions.mobi
http://www.estereotips.net/qeve/

fack the bastard radio show with XEDH,TUSURI y NOISH

Programa integro a la exploracion sonora para ello contamos en el estudio con XEDH y TUSURI de Euskalherria,quienes acompañados de NOISH hacen un ensamblaje y compacto de alta energia

noish + xedh live@ulterior

Noish + Xedh - Ulterior Festival 2009 from albertosshi on Vimeo.

in / out

IN & OUT is his first vinyl release and uses a wide range of environmental recordings which are processed digitally in more "electro-acoustic" ways. This leads to a balance between "Drone" and "Electro-Acoustic" where the acoustic potential of conventional reality is enlarged via digital processing. In his own words: "It brings attention to the peripheral zones of the sound phenomenon". Through intense mutation & deconstruction of acoustic materials a new or previously hidden meaning can be revealed for the blind spot of our perception.

7" vinyl transparent DRONE RECORDS

mantres algoritmics per a escoltes horizontals. Tota la relesase esta produïda amb pure-data programat per noish~ masterizació i arranjaments amb jamin, ardour i audacity.

>>>>>moltes gracies
a tota la comunitat de l`OpenLab dels dijous de l`hangar., i a totes aquelles que han fet posible la migració i producció d'aquest experiment 100% programari lliure


Donwload here___:>>>>>
Bajarselo aqui:::::::;;;;;;;;;;
costellam vnetlabel

Deriva Girona

Audio construido a partir del material sonoro grabado en el espacio urbano y natural de la ciudad de Girona, especialmente creado para el fesitival de musica experimental REMOR 2007
y procesado mediante patches creados con Pure DAta .

Deconstruccion of fieldrecordings, from the urban and natural spaces of Girona City, proces by Pure Data patches....live performance at REMOR Festival 2007



Download here, bajarselo pincha aqui!!!!!!!!!::::::;;;;;;;

PIANO MASTUL

cd 03 piano mastule

-piezas generadas a partir del material sonoro extraido a un piano desafinado y roto encontrado en la galeria-salon "Mastul" en el barrio de Wedding Berlin.

play here!!!!!!

track o1

track 02

track 03

track 04

track 05

-noises from a broken piano that i found in the galery "Saloon Mastul" at Wedding Berlin. http://www.mastul.de

Derivas Sonoras

cd 02 NDM Derivas Sonoras
trabajo desarrollado durante el laboratorio de arte MUGATXOAN (Arteleku-Fundacion Serralves) piezas creadas a partir del material grabado en las Derivas Psicosonograficas realizadas en el espacio urbano de las ciudades de San Sebastian y Oporto.

para escuchar pincha aki debajo----listenn!!

track01----derivaDonosti01

track02----derivaDonosti02

track03----derivaOportoA

track04----derivaOportoB

.Deconstructions of field recordings
from the phiscophonographic Derivas
around the urban spaces of San Sebastian and Porto cities. MUGATXOAN 2006

Emociones Atomicas

cd 04 ndm_emociones atomicas


ea 01____________12'10" .ogg
ea 02____________12'10" .ogg
ea 03____________12'28" mp3

ultima exploración sonora realizada a partir de diversas grabaciones de campo a traves de direntes territorios, tratadas con sintesis granular en las ultimas fases del proceso creativo.

Gracias a IxiSoftwate por su grainBox y a Dereck de
Umatic por el patche de PD Particlechamber, a la gente de Audacity y en general a todos aquellos que dedican un monton de horas a programar software que luego regalan a la comunidad.